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condensed scale

  • 1 шкала с небольшим количеством полей

    Polygraphy: condensed scale

    Универсальный русско-английский словарь > шкала с небольшим количеством полей

  • 2 original

    adj.
    1 original (nuevo, primero).
    2 eccentric, different (raro).
    m.
    original.
    * * *
    1 (gen) original
    1 original
    \
    en el original in the original
    ser original de (procedente de, nacido en) from
    * * *
    noun m. adj.
    * * *
    1. ADJ
    1) (=inicial) [idea, documento, idioma] original; [edición] first
    pecado 1)
    2) (=novedoso) original
    3) (=raro) unusual, original; (=extravagante) eccentric

    él siempre tiene que ser tan original — iró he always has to be so different

    4) (=creativo) original
    5) (=procedente)

    ser original de — [planta, animal] to be native to

    2. SM
    1) (=modelo) original
    2) (Tip) (tb: original de imprenta) manuscript, original, copy
    * * *
    I
    1) (primero, no copiado) original
    2) <artista/enfoque> original

    tú siempre tan original! — (iró) you always have to be different!

    II
    masculino original

    un original de Dalí — a Dalí original, an original Dalí

    * * *
    = creative, manuscript, master, master copy, original, original document, master, raw, pristine, founding, unedited.
    Ex. His definitive article, 'Backlog to Frontlog,' Library Journal (September 15, 1969), was indicative of his creative and simple, yet effective and economical solutions to traditional library problems.
    Ex. A manuscript is a writing made by hand (including musical scores), typescripts, and inscriptions on clay tablets, stone, etc.
    Ex. The great significance of a fully developed network will be that it will relieve libraries of the necessity of maintaining their own copies of the master data base.
    Ex. Normally, before a manuscript is printed or duplicated in multiple copies the editor will be provided with printer's proofs or a master copy.
    Ex. Here entry is made under the original author of an edition that has been revised, enlarged, updated, condensed, and so on by another person.
    Ex. An abstract is a concise and accurate representation of the contents of a document, in a style similar to that of the original document.
    Ex. The supply would need to be replenished when the multiple copies had been used, so a master would be kept - usually for offset litho reproduction or for cutting a stencil on an electronic scanner.
    Ex. Vegetable fibres in their raw state contain the necessary strands of cellulose which can be converted into paper.
    Ex. Although national parks are perceived as pristine areas, many are dumping grounds for hazardous materials - everything from industrial toxins to unexploded munitions.
    Ex. The founding missions have being found increasingly ill-suited for the demands of the marketplace.
    Ex. This bank of data represented a valuable source of unedited views about users' perceptions, thoughts and attitudes about libraries and electronic resources.
    ----
    * base de datos en estado original = raw database.
    * edición original = original edition.
    * error del original = sic.
    * estar hecho con la mismas dimensiones que el original = be to scale.
    * original de una obra de arte = art original.
    * original listo para reproducir = camera-ready copy.
    * pecado original, el = original sin, the.
    * poco original = unoriginal.
    * título original = original title.
    * * *
    I
    1) (primero, no copiado) original
    2) <artista/enfoque> original

    tú siempre tan original! — (iró) you always have to be different!

    II
    masculino original

    un original de Dalí — a Dalí original, an original Dalí

    * * *
    = creative, manuscript, master, master copy, original, original document, master, raw, pristine, founding, unedited.

    Ex: His definitive article, 'Backlog to Frontlog,' Library Journal (September 15, 1969), was indicative of his creative and simple, yet effective and economical solutions to traditional library problems.

    Ex: A manuscript is a writing made by hand (including musical scores), typescripts, and inscriptions on clay tablets, stone, etc.
    Ex: The great significance of a fully developed network will be that it will relieve libraries of the necessity of maintaining their own copies of the master data base.
    Ex: Normally, before a manuscript is printed or duplicated in multiple copies the editor will be provided with printer's proofs or a master copy.
    Ex: Here entry is made under the original author of an edition that has been revised, enlarged, updated, condensed, and so on by another person.
    Ex: An abstract is a concise and accurate representation of the contents of a document, in a style similar to that of the original document.
    Ex: The supply would need to be replenished when the multiple copies had been used, so a master would be kept - usually for offset litho reproduction or for cutting a stencil on an electronic scanner.
    Ex: Vegetable fibres in their raw state contain the necessary strands of cellulose which can be converted into paper.
    Ex: Although national parks are perceived as pristine areas, many are dumping grounds for hazardous materials - everything from industrial toxins to unexploded munitions.
    Ex: The founding missions have being found increasingly ill-suited for the demands of the marketplace.
    Ex: This bank of data represented a valuable source of unedited views about users' perceptions, thoughts and attitudes about libraries and electronic resources.
    * base de datos en estado original = raw database.
    * edición original = original edition.
    * error del original = sic.
    * estar hecho con la mismas dimensiones que el original = be to scale.
    * original de una obra de arte = art original.
    * original listo para reproducir = camera-ready copy.
    * pecado original, el = original sin, the.
    * poco original = unoriginal.
    * título original = original title.

    * * *
    A
    1 (primero, inicial) ‹texto› original
    en su forma original in its original form
    2 (no copiado) original
    es un Hockney original it's an original Hockney
    B (novedoso) ‹artista/novela/enfoque› original
    ¡tú siempre tan original! ( iró); you always have to be different!
    C
    (de un país, una región): el maíz es original de América corn originated in o originally came from America, corn is native to America
    original
    un original de Dalí a Dalí original, an original Dalí
    mándale el original y archiva la copia send her the original and file the copy
    lo leyó en el original she read it in the original French ( o Spanish etc)
    Compuesto:
    original, manuscript
    * * *

     

    original adjetivo / noun masculine
    original
    original
    I adjetivo original
    II mf original: tengo que entregar el original a la imprenta, I have to give the original to the printer's
    ' original' also found in these entries:
    Spanish:
    m.s.
    - novedosa
    - novedoso
    - originaria
    - originario
    - pecado
    - primitiva
    - primitivo
    - promotor
    - promotora
    - retornar
    - subtítulo
    - versión
    - vista
    - visto
    - VO
    - subtitular
    English:
    arrange
    - beat down
    - close
    - creative
    - derivative
    - first
    - individual
    - master
    - novel
    - original
    - originally
    - sell back
    - unconventional
    - unusual
    - different
    - line
    - secondary
    - stick
    - unoriginal
    * * *
    ♦ adj
    1. [nuevo, primero] original;
    el texto original the original text;
    en versión original in the original version
    2. [no imitación] original;
    este es original y esta la copia this is original and this is the copy;
    un Velázquez original an original Velázquez
    3. [inusual] original;
    esa corbata es muy original that's a very original o unusual tie
    4. [raro] different, eccentric;
    tú siempre tan original you always have to be different
    5. [procedente]
    ser original de [persona] to be a native of;
    [animal, planta] to be native to
    ♦ nm
    1. [primera versión] original;
    hay que entregar tres copias y el original you have to give them the original and three copies;
    leer algo en el original to read sth in the original
    2. [manuscrito] manuscript
    * * *
    m/adj original
    * * *
    original adj & nm
    : original
    * * *
    original adj n original

    Spanish-English dictionary > original

  • 3 καταπυκνόω

    A stud thickly,

    τρήμασι τὸ τεῖχος Plb.8.5.6

    ;

    θύρας ἥλοις D.S.18.71

    ;

    τοῖς ἀφώνοις τὰς συλλαβάς D.H.Comp.16

    ;

    παραδειγμάτων πλήθει τὴν πόλιν Plu.Lyc.27

    ;

    τοῖς ὑπερβατοῖς Phld.Rh.1.160

     S.:—[voice] Pass., of the sky,

    καταπεπυκνῶσθαι.. πλήθει ἀστέρων Arist.Mete. 346a29

    ; of a country, ἐλαίαις καταπεπυκνῶσθαι to be thickly planted with.. (v.l. for -πεφυτεῦσθαι), D.S. 3.44: metaph.,

    βίος ἐν θαλίαις -πεπυκνωμένος Porph.Plot.23

    .
    II force into a small compass, compress, condense,

    Ἐπίκουρος οὕτω κατεπύκνου τὴν ἡδονήν Damox.2.62

    ; τάλαντ' ἐγώ σοι κατεπύκνωσα τέτταρα spent four talents in a lump, ib.4; to illustrate this is cited the dogma of Epicur., Sent.9, εἰ κατεπυκνοῦτο πᾶσα ἡδονὴ κτλ., cf.

    καταπύκνωσις; ὁ Λυκοῦργος τοὺς πολίτας τῇ σιωπῇ πιέζων συνῆγε καὶ κατεπύκνου Plu.2.510f

    :—[voice] Pass.,

    - πεπύκνωται ἡ πραγματεία Porph. Plot.14

    ; also εἰ μὴ -πυκνοῦταί σοι τὸ ἀπὸ δογμάτων ὀρθῶν ἕκαστα πράσσειν that your habit of acting.. is not consolidated, M.Ant.5.9.
    2 in Music, κ. τὸ διάγραμμα fill up the intervals in a scale (with smaller intervals), Aristox.Harm.p.7 M.:—[voice] Pass., Theo Sm.p.91 H., Nicom. Exc.7.
    III [voice] Pass., to be condensed, of complex forms of inference (cf. πυκνόω v), Arist.APo. 79a30.

    Greek-English dictionary (Αγγλικά Ελληνικά-λεξικό) > καταπυκνόω

  • 4 Champion, William

    SUBJECT AREA: Metallurgy
    [br]
    b. 1710 Bristol, England
    d. 1789 England
    [br]
    English metallurgist, the first to produce metallic zinc in England on an industrial scale.
    [br]
    William, the youngest of the three sons of Nehemiah Champion, stemmed from a West Country Quaker family long associated with the metal trades. His grandfather, also called Nehemiah, had been one of Abraham Darby's close Quaker friends when the brassworks at Baptist Mills was being established in 1702 and 1703. Nehemiah II took over the management of these works soon after Darby went to Coalbrookdale, and in 1719, as one of a group of Bristol copper smelters, he negotiated an agreement with Lord Falmouth to develop copper mines in the Redruth area in Cornwall. In 1723 he was granted a patent for a cementation brass-making process using finely granulated copper rather than the broken fragments of massive copper hitherto employed.
    In 1730 he returned to Bristol after a tour of European metallurgical centres, and he began to develop an industrial process for the manufacture of pure zinc ingots in England. Metallic zinc or spelter was then imported at great expense from the Far East, largely for the manufacture of copper alloys of golden colour used for cheap jewellery. The process William developed, after six years of experimentation, reduced zinc oxide with charcoal at temperatures well above the boiling point of zinc. The zinc vapour obtained was condensed rapidly to prevent reoxidation and finally collected under water. This process, patented in 1738, was operated in secret until 1766 when Watson described it in his Chemical Essays. After encountering much opposition from the Bristol merchants and zinc importers, William decided to establish his own integrated brassworks at Warmley, five meals east of Bristol. The Warmley plant began to produce in 1748 and expanded rapidly. By 1767, when Warmley employed about 2,000 men, women and children, more capital was needed, requiring a Royal Charter of Incorporation. A consortium of Champion's competitors opposed this and secured its refusal. After this defeat William lost the confidence of his fellow directors, who dismissed him. He was declared bankrupt in 1769 and his works were sold to the British Brass Company, which never operated Warmley at full capacity, although it produced zinc on that site until 1784.
    [br]
    Bibliography
    1723, British patent no. 454 (cementation brass-making process).
    1738, British patent no. 564 (zinc ingot production process).
    1767, British patent no. 867 (brass manufacture wing zinc blende).
    Further Reading
    J.Day, 1973, Bristol Brass: The History of the Industry, Newton Abbot: David \& Charles.
    A.Raistrick, 1970, Dynasty of Ironfounders: The Darbys and Coalbrookdale, Newton Abbot: David \& Charles.
    J.R.Harris, 1964, The Copper King, Liverpool University Press.
    ASD

    Biographical history of technology > Champion, William

  • 5 Hornblower, Jonathan

    [br]
    b. 1753 Cornwall (?), England
    d. 1815 Penryn, Cornwall, England
    [br]
    English mining engineer who patented an early form of compound steam engine.
    [br]
    Jonathan came from a family with an engineering tradition: his grandfather Joseph had worked under Thomas Newcomen. Jonathan was the sixth child in a family of thirteen whose names all began with "J". In 1781 he was living at Penryn, Cornwall and described himself as a plumber, brazier and engineer. As early as 1776, when he wished to amuse himself by making a small st-eam engine, he wanted to make something new and wondered if the steam would perform more than one operation in an engine. This was the foundation for his compound engine. He worked on engines in Cornwall, and in 1778 was Engineer at the Ting Tang mine where he helped Boulton \& Watt erect one of their engines. He was granted a patent in 1781 and in that year tried a large-scale experiment by connecting together two engines at Wheal Maid. Very soon John Winwood, a partner in a firm of iron founders at Bristol, acquired a share in the patent, and in 1782 an engine was erected in a colliery at Radstock, Somerset. This was probably not very successful, but a second was erected in the same area. Hornblower claimed greater economy from his engines, but steam pressures at that time were not high enough to produce really efficient compound engines. Between 1790 and 1794 ten engines with his two-cylinder arrangement were erected in Cornwall, and this threatened Boulton \& Watt's near monopoly. At first the steam was condensed by a surface condenser in the bottom of the second, larger cylinder, but this did not prove very successful and later a water jet was used. Although Boulton \& Watt proceeded against the owners of these engines for infringement of their patent, they did not take Jonathan Hornblower to court. He tried a method of packing the piston rod by a steam gland in 1781 and his work as an engineer must have been quite successful, for he left a considerable fortune on his death.
    [br]
    Bibliography
    1781, British patent no. 1,298 (compound steam engine).
    Further Reading
    R.Jenkins, 1979–80, "Jonathan Hornblower and the compound engine", Transactions of the Newcomen Society 11.
    J.Tann, 1979–80, "Mr Hornblower and his crew, steam engine pirates in the late 18th century", Transactions of the Newcomen Society 51.
    J.Farey, 1827, A Treatise on the Steam Engine, Historical, Practical and Descriptive, reprinted 1971, Newton Abbot: David \& Charles (an almost contemporary account of the compound engine).
    D.S.L.Cardwell, 1971, From Watt to Clausius. The Rise of Thermo dynamics in the Early Industrial Age, London: Heinemann.
    H.W.Dickinson, 1938, A Short History of the Steam Engine, Cambridge University Press.
    R.L.Hills, 1989, Power from Steam. A History of the Stationary Steam Engine, Cambridge University Press.
    RLH

    Biographical history of technology > Hornblower, Jonathan

  • 6 Porta, Giovanni Battista (Giambattista) della

    [br]
    b. between 3 October and 15 November 1535 Vico Equense, near Naples, Italy
    d. 4 February 1615 Naples, Italy
    [br]
    Italian natural philosopher who published many scientific books, one of which covered ideas for the use of steam.
    [br]
    Giambattista della Porta spent most of his life in Naples, where some time before 1580 he established the Accademia dei Segreti, which met at his house. In 1611 he was enrolled among the Oziosi in Naples, then the most renowned literary academy. He was examined by the Inquisition, which, although he had become a lay brother of the Jesuits by 1585, banned all further publication of his books between 1592 and 1598.
    His first book, the Magiae Naturalis, which covered the secrets of nature, was published in 1558. He had been collecting material for it since the age of 15 and he saw that science should not merely represent theory and contemplation but must arrive at practical and experimental expression. In this work he described the hardening of files and pieces of armour on quite a large scale, and it included the best sixteenth-century description of heat treatment for hardening steel. In the 1589 edition of this work he covered ways of improving vision at a distance with concave and convex lenses; although he may have constructed a compound microscope, the history of this instrument effectively begins with Galileo. His theoretical and practical work on lenses paved the way for the telescope and he also explored the properties of parabolic mirrors.
    In 1563 he published a treatise on cryptography, De Furtivis Liter arum Notis, which he followed in 1566 with another on memory and mnemonic devices, Arte del Ricordare. In 1584 and 1585 he published treatises on horticulture and agriculture based on careful study and practice; in 1586 he published De Humana Physiognomonia, on human physiognomy, and in 1588 a treatise on the physiognomy of plants. In 1593 he published his De Refractione but, probably because of the ban by the Inquisition, no more were produced until the Spiritali in 1601 and his translation of Ptolemy's Almagest in 1605. In 1608 two new works appeared: a short treatise on military fortifications; and the De Distillatione. There was an important work on meteorology in 1610. In 1601 he described a device similar to Hero's mechanisms which opened temple doors, only Porta used steam pressure instead of air to force the water out of its box or container, up a pipe to where it emptied out into a higher container. Under the lower box there was a small steam boiler heated by a fire. He may also have been the first person to realize that condensed steam would form a vacuum, for there is a description of another piece of apparatus where water is drawn up into a container at the top of a long pipe. The container was first filled with steam so that, when cooled, a vacuum would be formed and water drawn up into it. These are the principles on which Thomas Savery's later steam-engine worked.
    [br]
    Further Reading
    Dictionary of Scientific Biography, 1975, Vol. XI, New York: C.Scribner's Sons (contains a full biography).
    H.W.Dickinson, 1938, A Short History of the Steam Engine, Cambridge University Press (contains an account of his contributions to the early development of the steam-engine).
    C.Singer (ed.), 1957, A History of Technology, Vol. III, Oxford University Press (contains accounts of some of his other discoveries).
    I.Asimov (ed.), 1982, Biographical Encyclopaedia of Science and Technology, 2nd edn., New York: Doubleday.
    G.Sarton, 1957, Six wings: Men of Science in the Renaissance, London: Bodley Head, pp. 85–8.
    RLH / IMcN

    Biographical history of technology > Porta, Giovanni Battista (Giambattista) della

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